Using marker pens

This is my attempt at drawing a composition of fruit using marker pens.  They have a thin and thick nib to them and I found the thicker line easier to shade with.  As with the coloured pencils I may have used a little too many colours and overworked the drawing a bit, but this is all new to me.

The next drawing was an exercise in using oil pastels .  This is not one of my greatest successes, but it  was fun to do.  It did take a long time to try and build up the colours, and I found the white pastel really useful to blend the colours together.  I do like to blend...

Project- Drawing fruit and vegetables in colour

Exercise- Using hatching to create tone

For this drawing we had to start  by drawing individual pieces of fruit, paying attention to the shapes or planes that make up the outline. I used coloured pencil and drew a larger than life apple and pear.

We then had to make up a composition with two or three pieces, and using hatching show the different shapes and tonal values.

I was quite pleased with this drawing but I may have overworked the colours a bit. 

Still life group using line and tone

This exercise involved drawing objects using  line, with only minimal tone. I chose the logs in the log basket because they had some interesting textures and shapes.  I used A3 paper and a black roller tip pen.  I drew quickly and tried to fill the page, but it proved very difficult to give the drawing any depth as it was supposed to be about line and not tone. I must admit to putting in a little shading, just to try and make the drawing look right.

My next attempt at drawing was a little more successful.  This exercise was to draw a still life group in tone.  I arranged some sea shells on a plate and drew them in pastels on A3 paper.  As I was working in pastels I didn't manage to get in all the intricate detail of the objects but, the idea was to explore tone using only three colours.  I chose a dark brown for the deepest tones, rusty orange for the mid tones and a pale cream for the lightest tones.  I wasn't sure if I was allowed to blend the colours, but couldn't really help it as I was working in pastels.

Exercise- Getting tone and depth in detail

For this exercise I had to build up dark, medium and light tones.  The shells didn't come out too bad.  I did use black pen for some of them which didn't allow the same contrast of tone as the pencil drawings.

 The sheep horn in pencil worked quite well.  I used a putty rubber to highlight, and 3B and 6B pencils for the darker area, and this gave a greater variety of light to dark contrast.

 The starfish was an exercise in stipples and dots.  I used a black pen which was great at making quick dots and dashes, but when it came to building up tone and shadow, I found I had maybe been a bit heavy handed and got carried away with my dots. The lighter areas, which would have been on the top of the starfish, look a little dark and really I should have eased up and left some patches of white to contrast with the shadow.

Detailed observation

The next exercise was to do some line drawing, focusing on the detail of the object, but excluding shadow and tone. I started with half an orange and then drew an onion.  Drawing in pen really worked well for this exercise.

Observation in nature

I have now started on the second part of the course which is all to do with observing nature. 
The first project was to explore coloured media.  I used coloured pencils, pastels and also crayons.  The idea is just to experiment and do some mark-making.

Still life using made objects.

I have now finished the last two drawings, before I send them off for the first assignment.  I was determined not to spend days and days on drawing these.  I must admit the pencil drawing took a little longer than the colour one, but I had to call it a day at some time. 

The cotton reel caused me a huge headache, as did the tape measure.  I did begin to think I was completely mad to even think I could draw a tape measure, but it did seem to fit with the other items really well.  I wasn't convinced about the composition either, and as you can see from the colour drawing I did pull the items a little closer together to connect them a little better.